Understanding Sensual Attachments in Practice : หน้า 100/263

previous factors — senses, sense objects and sense-con- sciousness — is implicated in the attachment we have to sensual pleasures. Again, each of the six senses has its own channel of sense-contact therefore there are a fur- ther six areas in which the practitioner needs to extinguish craving — visual contact [cakkhu-samphassa], auditory contact [sota-samphassa], olfactory contact [ghāna- samphassa], gastatory contact [jivhā-samphassa] tactile contact [kāya-samphassa] and mental contact [manosamphassa]. Moreover, the pleasurable feeling [vedanā] arising from the aforementioned contact is implicated in the attachment we have to sensual pleasures. Again, each of the six senses has its own channel of sense-feeling therefore there are a further six areas in which the practitioner needs to ex- tinguish craving — visual feeling [cakkhu-vedanā], auditory feeling [sota-vedanā], olfactory feeling [ghāna-vedanā], gastatory feeling [jivhā-vedanā], tactile feeling [kāya- vedanā] and mental feeling [mano-vedanā]. Moreover, the perception (sensory registration) [saññā] arising from the aforementioned feeling is implicated in the attachment we have to sensual pleasures. Again, each of the six senses has its own channel of sense-perception therefore there are a further six areas in which the practitioner needs to extinguish craving — visual perception [rūpa-saññā], auditory perception [sadda-saññā], olfactory perception [gandha-saññā], gastatory perception [rasa-saññā], tactile perception [phoṭhappa-saññā] and mental perception [dhamma-saññā]. Moreover, the volition concerning our sensual objects, or our choice of sensual objects or our will directed at sensual objects [saṅcetana] arising from the aforementioned sensory