Digital Dictionary of Buddhism and Related Works หลักฐานธรรมกายในคัมภีร์พุทธโบราณ 1 ฉบับรวมงานวิจัยโดยย่อ หน้า 155
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สรุปเนื้อหา

This compilation features key works in early Chinese Buddhism, including the Digital Dictionary of Buddhism edited by A. Charles Muller, and significant contributions from scholars such as Jan Nattier and Harry Oldmeadow. The texts include important translations and studies of Buddhist practices, art, and historical contexts from the Han and Three Kingdoms periods. Works such as 'Light From the East' and 'Zhongguo Fojiao Shi Gai Shu' provide insights into the transmission of Buddhist ideas and visualization practices, as represented in both textual and artistic forms. Yamabe Nobuyoshi's research on sutras and meditation manuals explores the blend of Chinese and Indian cultures, illustrating the rich tapestry of Buddhist scholarship and practice during these formative eras. Noteworthy mentions include Shi Guohua's exploration of Nianfo Sanmei and the examination of murals at Toyok, all emphasizing the historical significance of these Buddhist texts.

หัวข้อประเด็น

-Digital Dictionary of Buddhism
-Key Chinese Buddhist translations
-Early Buddhist art and practices
-Buddhist meditation manuals
-Cultural interconnection in Buddhism

ข้อความต้นฉบับในหน้า

Muller, A. Charles, ed. “Digital Dictionary of Buddhism.” Digital Dictionary of Buddhism 電子佛教辭典, n.d. Accessed December 4, 2012. —. “Yi 意, Mention.” Digital Dictionary of Buddhism, Nattier, Jan. 2008. A Guide to the Earliest Chinese Buddhist Translations: Texts from the Eastern Han “Dong Han” and Three Kingdoms “San Guo” Periods. International Research Institute for Advanced Buddhology, Soka University. n.d. Accessed August 26, 2013. Nogami Toshi Shizuka 野上俊静 and Sheng Yan 聖嚴, 1993. Zhongguo Fojiao Shi Gai Shu 中國佛教史概說. Taiwan shangwu yinshuguan 臺灣商務印書館. Oldmeadow, Harry. 2007. Light From the East: Eastern Wisdom for the Modern West. World Wisdom, Inc. Rhie, Marylin M. 1999. Early Buddhist Art of China and Central Asia: Later Han, Three Kingdoms and Western Chin in China and Bactria to Shanshan in Central Asia. Leiden: Brill. Shi Guohua 釋果化. “Nianfo Sanmei Xing Fa Chutan 念佛三晝 行法初探.” Fuyan Foxueyuan Di Ba Jie Chuji Bu Xuesheng Lunwen Ji 福嚴佛學院第八屆初級部學生論文集 (June 1999): 651–682. Yamabe, Nobuyoshi. 1999. “The Sutra on the Ocean-like Samadhi of the Visualization of the Buddha: The Interfusion of the Chinese and Indian Cultures in Central Asia as Reflected in a Fifth Century Apocryphal Sutra.” Ph.D. diss., Yale University. ———. 2002. “Practice of Visualization and the Visualization Sutra: An Examination of Mural Paintings at Toyok, Turfan.” Pacific World: Journal of the Institute of Buddhist Studies (2002): 123–152. ———. 2010. “Two Chinese Meditation Manuals in Conjunction with Pozdney’s Mongolian Manual.” In From Turfan to Ajanta: Festschrift for Dieter Schlingloff on the Occasion of His Eighteenth Birthday, edited by Eli Franco and Monika Zin, 2:1045–1058. Rupandehi: Lumbini International Research Institute.
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